Rogers Little Theater Victory Theater Sound Equipment Proposed list:

Yamaha SPX-990 Digital Multi-Effect Processor

Click for Panel Views

Advanced Hardware for Superior Sound

The latest 20-bit analog-to-digital and digital-to-analog conversion technology- sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are neglible.


Stereo Configuration with Balanced Inputs and Outputs

A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors.


Preset, Internal, and Card Memory

180 memory locations "on board". 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each.


Three-stage Effect Configuration

In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound.


In-depth Programming Power

The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects.


Tempo-based Delay Time Programming

Delay time parameters can be programmed in terms of tempo or note length. Delay time can also be entered via a footswitch or MIDI clock data.


Superior Pitch Precision

The SPX990 achieves faultless pitch tracking through a new dynamic waveform analysis technique. In addition to the simple parallel pitch tracking the SPX990's "intelligent" pitch change creates appropriate harmony based on a specified key and scale type.


External Parameter Control

The SPX990 allows two selected parameters from each program to be assigned to two external MIDI controllers.


MIDI Control

The SPX990 allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at the same time.


4 Pre-Effects

1. 3-band PEQ *1, 2. Compressor *1, 3. Harmonic Driver *1, 4. Compressor, Dist. and EQ *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT


36 Main Effects: Reverb, Early Reflections, Delay and Echo, Modulation

REVERB: Reveb *2, Filtered Reverb *2, Stereo Reverb *1, Echo Room *2; EARLY REFLECTIONS: Thin Early Reflection *2, Fat Early Reflection *2, Gate Reverb *2, Reverse Gate *2; DELAY and ECHO: Delay L, C, R *2, Echo *2, Multi Tap Delay *2, Stereo Echo *1, Tempo Mono Echo *2, Tempo Stereo Echo *1, Tempo Quad Echo *1; MODULATION: Flanger *1, Dual Flanger *1, FM Chorus *1, AM Chorus *1, Phaser *1, Symphonic *1 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN, 1 OUT


Main Effects continued: Pitch Change, Pan, Complex Effects, Freeze

PITCH CHANGE: Mono Pitch Change *3, Dual Pitch Chance *2, Triple Pitch Chance *2, Stereo Pitch Change *1; PAN: Auto Pan *2, Triggered Pan *2; COMPLEX EFFECTS: Chorus and Reverb *2, Symphonic and Reverb *2, Flanger and Reverb *2, Reverb (L) / Reverb (R) *1, ER (L)/ Reverb (R) *1, Echo (L) / Reverb (R) *1, Chorus (L) / Reverb (R) *1, Pan (L) / Pan (R) *1; FREEZE: Freeze *3 *1= 2 IN - 2 OUT, *2 = 1 IN - 2 OUT, *3 = 1 IN - 1 OUT


3 Post Effects

1. 3-band PEQ *1; 2. Compressor *1, Harmonic Driver *1 *1 = 2 IN - 2 OUT

 

Manual: View manual on-line

 

Technics SLPD10 5 disc CD Changer Rack Mount:

Front-loading, 5-disc rotary design
Digital optical output for direct digital recording
Pitch control allows +-12.5% change in disc speed -- perfect for DJs.
Wireless remote control
Quick Disc Rotation System
Easy-to-read Disc Location Display
Phone-style 10-key pad for easy operation
ID Scan
Full random play, one-disc random play, and spiral play
Delete programming, even in random mode
32-step random access programming
Program memory
Repeat capability for a single track, an entire disc, all five discs, or programmed songs
Convenient Edit Guide function
MASH* 1-bit DAC system
Advanced digital servo system

Technics RSTR575 Cassette Player – Rack Mount:

Advanced tape transport mechanism
ATC(Auto Tape Calibration)
Direct operation minimizes button pressing
2 x 2-motor full-logic control
Dual linear electronic tape counters
Simultaneous parallel recording from the same source
Double auto-reverse with 3-hour series recording and 24-hour series playback(C-90)
Dolby *1 HX Pro & Dolby B-C NR systems
High-speed editing with synchro start/stop
2-color FL peak-hold meters
Wireless remote control capability with selected Technics receivers or amplifiers

Furman PL8 Power Conditioner:

 

Picture is not available.

The PL-8 is an economical power conditioner for your rack.

EMI/RFI AC line filtering for clean power and spike/surge protection to protect your gear
10-amp capacity with circuit breakers
2 retractable rack lights with dimmer to illuminate your racked gear
8 rear-mounted AC outlets controlled by front panel switch

Shure SM81:

SM81The Shure Model SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.

The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.

20 Hz to 20 kHz frequency response
Flat response curve for accurate reproduction of sound sources
Low noise and high output clipping level
Low distortion over a wide range of load impedances
Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds
Low RF susceptibility
Selectable low-frequency response: flat, 6 or 18 dB/octave rolloff
0 dB/10 dB lockable attenuator switch
Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
Rugged steel construction for durability
Field-usable over wide range of temperature and humidity conditions

Owners Manual: On-Line link to owners manual

Shure Beta Microphones:

The Beta 87 has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now features a new design and has been renamed the Beta 87A TM.

In response to user requests, Shure has redesigned this microphone by just slightly thickening the handle for a more comfortable feel when hand-held. In addition, the Beta 87A now includes the A25D break-resistant swivel adapter.

The Beta 87A condenser microphone leads the field for studio-quality sound in live performance vocals.

Smooth, tailored frequency response provides detail, accuracy, and warmth for vocals
Extremely accurate supercardioid pattern at all frequencies provides the highest gain-before-feedback
Three-stage pop filter minimizes breath pop and noise
Break-resistant stand adapter
Frequency response: 50 to 18,000 Hz

Owners Manual: On-line viewing of owners manual

Shure Wireless Microphones:

WL93 Series
Subminiature Condenser Lavalier Microphones

WL93

Model WL93 Microphones are economical omnidirectional, subminiature, lavalier, condenser microphones designed for general speech applications where a visually unobtrusive microphone is desirable. All WL93 models are supplied with a mounting block with attached tie bar, a sew-on mounting bracket, and an acoustic windscreen to minimize wind noise in outdoor applications. All WL93 models include a 1.2 m (4 foot) cable terminated with a miniature 4-pin connector (Switchcraft TA4F type) which connects directly to a Shure wireless body-pack transmitter.

Model Variations

WL93: Black finish; includes 1.2 m (4 foot cable)

WL93T: Tan finish; includes 1.2 m (4 foot cable)

WL93-6: Black finish; includes 1.9 m (6 foot cable)

WL93-6T: Tan finish; includes 1.9 m (6 foot cable)

WL50 Series (this is not on the bid but might be better suited to RLT)
Professional Subminiature Lavalier Microphone

WL50 and One Thin DimeShure's new WL50 lavalier microphone series sets a new standard for miniature microphones. Visually unobtrusive, the WL50s are ideal for theater, television broadcast, video/film, and event production. Designed for applications that require minimal visibility without compromising sound quality, these microphones are available individually, as well as with the Shure UHF, UC, SC and LX Wireless Systems.

Features

Subminiature size (5.8 mm diameter x 11 mm height)
Electret condenser cartridge
Omnidirectional pattern
Two termination options: TA4F connector (fits directly into Shure wireless transmitters), or unterminated (bare wire)
Two sensitivities available:
Standard: -40 dBV/Pa (for speech applications)
Reduced: -50 dBV/Pa (10 dB more headroom for theater applications)
Interchangeable equalization caps for optimal clarity and response:
Silver mesh cap provides a 4 dB boost in the 8-18 kHz range - typically used in applications that require a microphone to be head-mounted
Gold mesh cap provides a 10 dB boost centered at 12 kHz - typically used in applications that require a chest-worn microphone
Black, beige, and white models are available All models include magnet mount, lapel clip, dual tie clip, pin mount, and two foam windscreens Frequency response: 20-20,000 Hz

Model Variations

WL50B

Black, TA4F Connector

WL50T

Beige, TA4F Connector

WL50W

White, TA4F Connector

WL50B-LO

Black, TA4F Connector, reduced sensitivity

WL50T-LO

Beige, TA4F Connector, reduced sensitivity

WL50BX

Black, less connector

WL50TX

Beige, less connector

WL50WX

White, less connector

WL50BX-LO

Black, less connector, reduced sensitivity

WL50TX-LO

Beige, less connector, reduced sensitivity

MC50B

Black, 5 foot (1.5 m) attached cable with in-line preamplifier

 

Shure UC Wireless System

 

 

 

 

 

 

Make it Easy on Yourself with Shure UC Wireless.

The new Shure UC gives you more of what you want most in a UHF wireless microphone system.

Its flexibility makes it the ideal choice for a wide range of applications. Its ease of operation eliminates the extended learning curve you'd expect from such a high-performance system. Its reliability assures that you're in for years of trouble-free performance. And its name gives you the peace of mind that comes from knowing you're dealing with "The Sound of Professionals ... Worldwide®."

In other words, the UC Wireless System lets you make it easy on yourself.

What more could you ask?

All The Right Features

Shure's new UC Wireless System offers the kind of sound-enhancing, timesaving features professional users want most, including:

The advantages of UHF operation, for minimal interference.
Frequency agility, which allows you to quickly and easily change frequencies to avoid interference. Choose from over 100 frequencies (international versions may vary).
Up to 16 system simultaneous operations (international versions may vary).
The versatility of interchangeable microphone elements from the world's most renowned collection. Choose from a selection of body-pack microphones (lavalier, headworn, instrument or cable) and handheld microphones (SM58, Beta 58A, SM87A or Beta 87A).
MARCAD® diversity circuitry provides superior reception and exceptional freedom from dropouts.
Space-saving, half-rack receiver design.
Built-in adjustable EQ on receiver tailors frequency response to fine tune your system.
Tone key squelch circuitry prevents unwanted noise from entering the system.
Noise squelch circuitry virtually eliminates annoying noise bursts.
TTL logic output terminal on receiver features removable block connector to control external devices based on the status of the UC system.

In short, the Shure UC Wireless System is the professional solution for a wide range of applications.

Easy to Operate

The new Shure UC Wireless is extremely user friendly and intuitive.

Easy-to-use screwdriver adjustable controls on transmitter and receiver.
Extensive LED metering on receiver front panel keeps user informed of the status of important functions, including:

·          

Dual RF meters and Antenna Diversity LEDs that make it easier to identify "dead spots" in the performing area.
Audio meter that monitors received audio level and helps optimize transmitter gain setting.
Group/Channel display that indicates current group and channel settings and facilitates easy setup of multiple channel systems.
Low transmitter battery warning LED.
Three-segment battery fuel gauge on transmitters indicate amount of battery life remaining. Transmitter input gain potentiometers and body-pack attenuator switch (0, -20 dB) make it easy to set up your transmitter for any application. Combined transmitter power on/off and mute switch saves time and hassle.

Legendary Shure Reliability

When it comes to reliability, the new UC Wireless System is built to deliver years of problem-free performance.

Rugged design and construction of receiver, handheld and body-pack resists day-to-day abuse, year after year.
Shure's proven record of microphone and transmitter performance is legendary.
Diagnostic features alert user to potential problems before they occur.

Accessory Enhancements

The Shure UC Wireless comes with everything you need to operate the system. But you can enhance the system to new levels with a choice of accessories (all of which are available separately), including:

UA101 Remote Audio Mute Switch for body-pack transmitter. Allows external audio/RF muting of body-pack during performance.
UA220 Passive Antenna Splitter/Combiner Kit. Combines two diversity receivers while using only two antennas or allows four antennas to be fed into one diversity receiver.
UA845 Antenna/Power Distribution System. Combines up to five UC4 receivers and powers up to four with only two antennas.
UA500 Remote Mount Antenna Kit. Includes mounting bracket and 1/2 wave antenna for receiver.
UA600 Front Mount Antenna Kit for receiver.

A Tradition of Value

The UC Wireless is the latest in Shure's full line of proven wireless systems and other products designed for the installed sound professional. Each one comes with unparalleled service and support. Which is precisely what you've come to expect from 70 years of leadership in state-of-the-art sound reinforcement products.

Shure Antenna Distribution UA845:

Expandability. The UA845 UHF Antenna Distribution

System is designed for large UHF wireless systems.

Each unit allows up to four wireless receivers to use the

same two antennas, and the CASCADE ports allow

connection to a fifth receiver or a second UA845.

Compatibility. The UA845 is compatible with all Shure

wireless microphone receivers operating within a com-patible

frequency range (see UHF Carrier Frequency

Ranges in the Specifications section).

CASCADE Ports. Two 50 W, BNC-type antenna CAS-CADE

ports allow an additonal UA845 unit or a fifth

wireless receiver. A large wireless system can be run

off of a single pair of antennas.

Power OUTPUT and OUT Connectors. Up to five (5)

U4 receivers can be daisy-chained and powered from a

single source via the Power OUTPUT connectors. Up

to four (4) UC4 receivers can be powered from the

UA845 using the 12 Vdc OUT connectors.

Low Noise and Intermodulation Distortion. The

UA845 maintains clean signals with minimal distortion.

Insertion Loss Compensation. Whenever a signal is

split to multiple output ports, there is a loss in signal

strength. The UA845 amplifies signals to compensate,

ensuring a strong signal to the receivers.

Front-Mounted Antennas. The UA845 comes with

hardware to front-mount the antennas, if desired.

Rack Mounts:

rkbrk.gif (21215 bytes)

Black Laminate Racks
RK/BRK Series 19" Equipment Racks

 

 

High-quality black laminate finish
Easily assembled with included tool and hardware
16" deep (RK Series), or 18" deep (BRK Series)
Optional caster kit available (RKW)

 

Part #

Racking Height

Depth

Overall Height

Power Strip

RK2

3 1/2" (2 space)

16"

5"

 

RK4

7" (4 space)

16"

8 1/2"

 

RK8

14" (8 space)

16"

15 1/2"

 

RK12

21" (12 space)

16"

22 1/2"

 

RK16

28" (16 space)

16"

29 1/2"

S*

RK20

35" (20 space)

16"

36 1/2"

S

BRK8

14" (8 space)

18"

15 1/2"

 

BRK12

21" (12 space)

18"

22 1/2"

 

BRK16

28" (16 space)

18"

29 1/2"

S*

BRK20

35" (20 space)

18"

36 1/2"

S

BSS 9088LL SoundWeb:

6.1 9088 Networked Signal Processor
9088FRON.gif (22414 bytes)

The 9088 Networked Signal Processor forms the heart of the Soundweb system. In a single rack space unit, it offers 8 analogue audio inputs, 8 analogue audio outputs, 160 MIPS of digital signal processing, a pair of network jacks, and a variety of control options.

The front panel of the 9088 has a number of LEDs to allow a quick view of activity on the audio inputs and on the network. It also has a mini-DIN connector for an RS-232 serial port: this is normally used to connect a PC for system setup and control

9088REAR.gif (30846 bytes)

The rear panel contains the audio inputs and outputs and the network jacks. It also contains a second RS-232 port, which is normally used for control from an external controller such as AMX or Crestron. Finally, it contains a control connector: see section 4 Control options for a description of how this is used. Both control i/o and analogue i/o connections are made via "Phoenix" style two-part screw terminals; the female connectors are shipped with the Soundweb unit, so installation can be made with no soldering and no extra connectors to buy.

The 9088 contains two preamplifier cards for the analogue inputs: each card handles four of the inputs. Two types of card are available: the line card and the mic/line card. The line card gives a choice of two gain settings: 0 dB and 12 dB (intended as a pro/consumer switch). The mic/line card provides a range of gain settings from 0 dB to 72 dB, together with phantom power and phase reverse. In all cases, each input can be switched individually.

The analogue outputs are equipped with analogue attenuation after the DAC stage. If the unit is used at anything lower than its full output level, it makes sense to apply the final gain reduction in the analogue domain: in this way, the DAC noise is also attenuated and the signal to noise ratio is kept at a maximum.

The core of the 9088 contains two Motorola 56301 DSP chips, running at 80MHz each and thus providing a total of 160 MIPS of DSP. There is also a block of dynamic RAM allowing a total of 11 seconds of audio delay. The main control processor is a Motorola 68000-series CPU, which runs a real-time multi-tasking operating system; this CPU takes care of system operation and interfacing and performs all the necessary housekeeping functions. Finally, the core contains a flash EPROM (see section 5 Flash EPROM storage), in which is stored all of the software to run the unit, and also the unit's configuration.

Meyer Speakers:

CQ™-2 Self-Powered Loudspeaker System

50°H 40°V
21" wide
30" tall
22 1/2" deep
130 lbs (58.6 kg)
Max SPL: 139 dB peak
Freq Response: ±4 db from 40 Hz to 18 KHz

Features

High power
Extremely low distortion
Reliable and durable
Two-way coverage configurations
Integral amps and controllers
Intelligent AC™

Applications

Theatre PA systems
Touring reinforcement
Theatre sound reinforcement
Live music clubs systems
Concert side fill

The CQ™ products are self-powered reinforcement loudspeakers that come in either a high Q or low Q configuration. As a high Q loudspeaker, the CQ™-2 covers 50°H x 40°V, while the CQ™-1 covers 80°H x 40°V. The amplifier and control electronics are fully contained within the compact speaker enclosures. "CQ" stands for "Constant Q," meaning that the distribution of acoustic energy is very evenly distributed over the coverage pattern in both the horizontal and vertical axes, while the energy outside the coverage area is low. This provides extremely tight control and predictable results for venues in which acoustic spill-over is to be avoided.

The CQ's incorporate the Intelligent AC™ system, which performs automatic voltage selection, EMI filtering, soft current turn-on, and surge suppression. All that is required for full operation is the application of AC power and an audio source. The unit's TruPower Limiting™ driver protection technology offers longer driver component life when units are run at extreme levels for extended periods. The cooling, power supply, and amplifier subsystems are all built for maximum efficiency and reliability. However, if servicing is required, it is facilitated by the modular design. The units can be fitted with the Remote Monitoring System (RMS™), which allows the operators to monitor such system parameters as signal and power levels, limiter activity, amplifier heatsink temperature, and cooling fan status.

PSW-2 Self-Powered
Reinforcement Subwoofer

21 1/4" wide
36" tall
30" deep
162 lbs (73.5 kg)
Max SPL (Peak): 136 dB
Freq Range: 35-120 Hz

PSW-2

 

Features

Arrayable and Flyable Subwoofer
Arrayable with MSL-4 (Identical cabinet dimensions)
Compact for Efficient Truck Packing
No Amp Racks
Portable for Fast Setup
Integral Amplifier Module

1240 Watt Power Amp,
Controller, Power Supply
Cooling Fans in One Unit
Controller Equipped with TruPower Limiting
Intelligent AC ™ Power Supply
Plug in Anywhere Worldwide)


UL® and CE Approved

Applications

Flyable Subwoofer Arrays
Venues with Limited Space
On-stage Subwoofers
Drums and Keyboard Monitors

Options

RMS ™ Network
Rigging
Weather Protected Version
Rain Hood
Carpeting
Soft Covers
Caster Board

The PSW-2 is a self-powered, dual-amplified, 4th order bass-reflex subwoofer which is arrayable and flyable (with optional rigging). The dimensions of its trapezoidal cabinet are identical to those of the MSL-4. The unit incorporates twin 15" drivers, has a frequency response of 35 Hz to 120 Hz and is phase-corrected.

The amplifier, controller, power supply and cooling subsystems are integrated into a lighweight module, service accessible at the back of the enclosure. Self-contained electronics eliminate the need for equipment racks. The PSW-2 is compact for efficient transport and setup.

The PSW-2 power supply incorporates the Intelligent AC ™ system, which performs automatic voltage selection, EMI filtering, soft current turn-on and surge suppression. Simply connect a signal source and plug into power anywhere worldwide and the unit is fully operational.

The amplifier unit is equipped with TruePower ™ Limiter technology, which maximizes speaker protection reliability and component life. This breakthrough in speaker control also results in higher SPL at all frequencies and increased available headroom. Long term power compression, typically 3-6 dB in conventional systems, is less than 1 dB. Maximum SPL capability remains constant even during operation at high levels for extended periods.

PSW-2 performance can be supervised using the Remote Monitoring System (RMS ™). This enables users at a computer terminal to monitor such parameters as limiting activity, power output, voltage, temperature, fan speed and driver status.

For more information, read this article on Powered Subwoofers.

UPA-1P & 2P Self-Powered UltraSeries™

100°H 40°V (UPA-1P; -6 dB points)
45°H 45°V (UPA-2P; -6 dB points)
14.5" wide
22.4" tall
14.5" deep
77 lbs (35 kg)
Max SPL (Peak): 133 dB
Freq Range: 60 Hz -18 kHz

Features

Integrated control electronics and amplifiers
Modular audio input options
Intelligent AC™ System
Compatible with the Remote Monitoring System™ (RMS)
Phase-corrected
Constant Q beam width facilitates predictable array design
High-power flat frequency response

 

The Meyer UPA-P Series self-powered loudspeakers (UPA-1P, UPA-2P) are more than powered versions of the Meyer UPA-C Series (UPA-1C, UPA-2C). The UPA-P Series features phase-corrected electronics that produce flat acoustical phase and amplitude responses, resulting in exceptional system impulse response and precise imaging. Despite the inclusion of amplification and control electronics, the UPA-P is the same size as, and only 10 lb. heavier than the UPA-C. Additionally, the UPA-P's advanced horn designs achieve a consistent polar response and smooth arraying behavior.

The beamwidth of a horn is the angle at which the sound pressure at a given frequency decreases to half (-6 dB) its on-axis amplitude. Existing technologies produce horns whose beam width varies over the operating frequency range. These horns also display nonuniform frequency response within, and significant side lobe energy outside their beam width. Both undesirable characteristics, particularly prevalent for horns with a wide beamwidth, make array design extremely problematic.

The UPA-P horns exhibit constant Q: the beamwidth remains consistent across the horn's operating frequency range in both the vertical and horizontal planes. The UPA-2P uses the same horn as the UPA-2C: the original design achieved constant Q for its narrow beam width (45°H x 45°V). Meyer Sound developed the UPA-1P horn in an anechoic chamber by measuring coverage patterns using angular and frequency resolutions of 1° and 1/36 octave, respectively. The UPA-1P horn provides a much wider horizontal, and slightly narrower vertical beam width (100°H x 40°V) than the UPA-2P. Both speakers share the following remarkable attributes:

uniform frequency response within the beamwidth
rapid and uniform amplitude
attenuation for all frequencies outside the beamwidth
minimal side lobes

The UPA-P Series is ideally suited for small PA applications requiring complete coverage with a compact, high-powered system, and also make excellent under-balcony, down-fill, and keyboard speakers.

The UPA-P's integrated electronics employs the Intelligent AC power supply, which auto-selects the correct operating voltage (facilitating international use), suppresses high voltage transients, and provides soft-start power-up (eliminating high inrush current).

The UPA-P can be equipped to operate with the Remote Monitoring System™ (RMS) network and software application. The UPA's are shipped with one of two audio input and control options. The Basic module contains an XLR input and a loop connector.

The second module provides features that facilitate array building and integration into full-range systems without incurring the cost of external processors. These interchangeable modules can be installed in the field with a Phillips screwdriver. RMS displays signal and power levels, driver and cooling fan status, limiter activity, and amplifier temperature for all speakers in the network on a Windows™-based PC.

 

UPM-1P Self-Powered Loudspeaker

100°H 100°V
6.69" wide
18.0" tall
7.70" deep
21 lbs (10 kg)
Max SPL: 112 dB Cont: 123 dB Peak
Freq Range: 60Hz - 22kHz

UPM-1P

 

Features

Compact size
Integrated control electronics and amplifiers
Modular audio input options
Compatible with the Remote Monitoring System™ (RMS)
Phase-corrected
High-Power, flat frequency response
Looping PowerCon Locking AC connectors

 


The UPM-1P is a compact, self-powered professional sound reinforcement loudspeaker system. Versatile and powerful, its bi-amped, three-way design incorporates dual 5-inch low/mid transducers, a 1-inch titanium dome HF driver on a symmetrical 100° horn, a two-channel power amplifier, and Meyer Sound's proprietary phase-corrected active processing circuits.

The UPM-1P is ideally suited to applications requiring high sound pressure levels, extremely low distortion, and uniform directional control. Stand-alone, the UPM-1P will provide vocal range reinforcement as a small PA system, in under-balcony, front- or side-fill applications. A full-range system can be created with the addition of a separate optional subwoofer.

Like all Meyer self-powered loudspeaker systems, the UPM-1P exhibits superior performance across virtually all parameters. Because the amplifiers and control electronics are optimized for each driver, the system is able to produce more power with a flatter response and lower distortion. The self-powered concept simplifies installation, eliminates amplifier racks and external drive processing, and can create extensive distributed systems free from the signal losses imposed by long loudspeaker cable runs or 70/100V wiring schemes.

UPM-1P's constant directivity HF horn affords a 100° beam width, and sophisticated phase-correction circuitry assures true point-source performance without the off-axis cancellation effects that plague customary dual-woofer designs. Two MS-5 low/mid-frequency transducers are driven in parallel to take advantage of their combined acoustic output. To prevent destructive interference due to comb filtering effects in the critical mid-band frequencies, one of the drivers is passively rolled off above 500Hz. Two channels of power amplification are provided, along with an active crossover, driver protection voltage limiters, and frequency and phase response alignment circuitry. A laser-trimmed differential input stage affords superior common-mode rejection to allow signal runs through a simple twisted pair cable. Rear panel LEDs indicate AC power and driver protection limiting. The UPM-1P's integral power supply suppresses high voltage transients. Two PowerCon AC connectors are provided to facilitate AC looping.

The rugged cabinet is coated with a textured black finish. It has three 3/8"-16 threaded recessed nut plates, and may be mounted on a stand. Optional mounting hardware is available. The UPM-1P easily integrates with the Remote Monitoring System (RMS) network and software. RMS displays signal and power levels, driver and cooling fan status, limiter activity, and amplifier temperature on a remote PC. The UPM-1P can be supplied with either the standard audio input module incorporating looping XLR connectors, or an alternate that adds attenuation and a polarity switch.